Why We Still Need Feminism

By Kaileen McGourty


The feminist movement has never been unanimously popular – whether due to honest disapproval of gender equality, like that experienced by the Suffragettes, or a disbelief that feminism is still necessary today. And that’s why I’m writing this article, because of the recently blooming opinion that we don’t need feminism anymore. There are a significant number of people in this country, and possibly throughout the world, who believe that we ended sexism and gender discrimination (Yay! We did it apparently!) and therefore see feminism as redundant or even causing victim-hood among women. But that’s simply false. Discrimination based on sex is still very present in the US (and the rest of the world); those who do not see it either aren’t women or aren’t looking very hard. A good way to expose the ever-present sexism in our society is to examine dominant versus popular culture.

Dominant Culture

Let’s being with a definition. The dominant culture is made up of established societal aspects like language, rituals, or social customs. These aspects maintain dominance through institutions like the education system, law, politics, and business. This is the layer of society where first and second wave feminism focused – attacking where the most obvious and detrimental acts of gender discrimination existed at the time. The lack of women’s right to vote or own property, unjust pay, discriminatory educational practices, and workplace sexual harassment all were obstacles in the dominant culture. As a result of strong feminist efforts, we have seen great improvement in this sphere of society – this is what some are referencing when they claim that feminism is no longer necessary. Women won the right to vote and hold land. Laws punishing sexual harassment and encouraging workplace safety have come into effect. Title IX was created to insure educational institutions treat female students equally.

But have we really improved gender discrimination in the dominant culture as much as some may think? Let’s say we’re going to measure the presence of gender discrimination in dominant culture with wages. Over time, in the U.S. it is very clear that the average wage for women has moved closer and closer to that of men (see the graph below). However, we’ve yet to actually reach wage equality. As Harvard economist Claudia Goldin explains, if you calculate the average annual earnings of all full-time working women and divide that by the equivalent calculation for men the result would be around .77 – meaning, on average, women earn 77% of what men earn. So we can’t quite say there is gender equality in pay yet.

Screen Shot 2016-02-19 at 10.20.31 PM

But is this a fluke? Let’s try a different measure. How about the portion of political positions held by women? According to the World Bank data-bank, in 1990 women held a mere 6.6% of political seats in the U.S. and as of 2015 women held 19.4%. That is a huge improvement across time; however that number pales in comparison to the other one-hundred and eighty nine reporting countries in 2015. Ranking from highest percentage to lowest, the U.S. finds itself, just barely in the top 50%, at number 96 – below countries like Saudi Arabia, Iraq, Pakistan, Afghanistan, Sudan, South Sudan, Uganda, Kenya, nearly every “developed” country, and many more. So, sadly, we can’t claim political gender equality either.

Popular Culture

We have to accept that our country has not reached gender equity in dominant culture. That does not mean we’ll forget the huge improvements women have seen in our country’s history – something both genders should be proud of. But there seems to be a final obstacle preventing real equality and an end to gender discrimination. I believe that it’s the sexist foundations of popular culture standing in the way. Popular culture is more than the who’s who and what’s what. It’s defined as the sum of attitudes, beliefs, ideas, and values within the mainstream or dominant culture. It’s the culture of how we interact and what we believe. This is where those who believe sex discrimination has vanished lack an understanding or haven’t connected the dots, so to speak. Our popular culture is built upon the sexist cornerstone that women are not equal to men – this holds back gender parity in dominant culture and perpetuates potentially harmful attitudes. These attitudes account for things like street harassment and catcalling, “mansplaining”, and even rape culture. Let me give a few examples:

I asked twenty women I know, all of different ages, sizes, and locations, a question: how many days out of the week do you experiencing catcalling or other forms of street harassment? Accounting for how many days they actually walk on the street or use public transportation, on average they experienced some sort of harassment approximately 5 out of 7 days – and that’s not considering how many times it happened each day! And if you don’t believe me, ask the women in your life.

I am a huge hockey fan (go Blackhawks!), probably more knowledgeable on the topic than the average fan. But I cannot count with all my digits the number of times a man has tried to explain rules or aspects of hockey to me, based purely on the assumption that because I am a female I must not know about sports. Nor can I count the number of times someone, knowing my academic and professional experience, began explaining topics in my field of expertise because the intelligence of women is constantly challenged in our culture.

While those examples may seem harmless, and on the surface they mostly are, they are representative of a dangerous attitude – what women know, want, or say doesn’t really matter. And when that attitude gets applied to something more complicated than hockey knowledge, like sexual consent for example, heinous violations of women occur.

If you still aren’t sure that our popular culture is built on a foundation of gender discrimination I have a dare for you: in this awards season, watch all the red carpet (whatever color carpet) interviews. The presence of sex discrimination is thinly veiled at these events and is most apparent when comparing how male artists and female artists are interviewed. Compare the types of questions – are women being asked about their love life or beauty regime, while men are asked about their role preparation or inspiration behind a song? Of course, you already know the answer. This type of sexist interviewing goes undisguised in every sphere of pop culture, just watch how absurd the questions for female athletes are in this video by #CoverTheAthlete.

So What?

The reason I had to tell you all this? Gender discrimination is not done. Women are still fighting everyday to be treated with respect and equality. Our culture still does not truly value women’s intelligence, work, sexuality, or opinions. While our dominant culture has made great strides in the past towards gender equity and the fair treatment of women, society as a whole is being held back by the final obstacles – how we think, how we act, and what we value. To truly reach gender equality and an end to sex discrimination in our dominant culture and in all of society we cannot leave behind a popular culture built upon sexism. We need to rally around feminism and women. We need to examine how our individual participation in popular culture is impacting the existence of sexist attitudes. And we need to say “enough is enough pop culture, get it together!” I think it’s about time.


Kaileen McGourty is a Graduate Student at American University’s School of International Service.


It’s Miranda Lambert’s Country

A Break from Our Regularly Scheduled Programming

By Aaron Bumgarner




Young girls have a lot of options from which to choose when looking for an idol or a role model in the music world today. But if I had a daughter, I’d be thankful for artists like Miranda Lambert and Beyoncé. Neither is perfect; I don’t think Lambert and I would agree on America’s gun laws, and, if I were a father, I’m sure I’d be uncomfortable with my daughter relating to Beyoncé’s overt sexuality. But both singers have released albums of substance within the last year, albums that declare their womanhood to the world with artistry and conviction. I’d be happy having my daughter look up to either of them. (What gives me pause with Beyoncé is that she’s married to the man that released Magna Carta…Holy Grail.)

I’m not a father though, so my only frame of reference for this discussion is my middle-school students. Granted, it’s a lot easier to imagine my students listening to Beyoncé than to Miranda Lambert, given that 90% of them are Latino. I’m not saying that Latinos don’t listen to country music. I have a Latino friend that really enjoys country music. But he’s not a middle schooler living in an urban area and heavily influenced by peer pressure. So I’m going to go ahead and assume that most of my students don’t listen to Miranda Lambert.

But I wish they would! I want my female students to feel empowered to make their own life decisions. I want them to see that women can have the power to start their own businesses. I want them to see that a woman can be married and not be subservient to her husband. I want them to see that a woman can take ownership of her sexuality and not be exploited. I want them to love themselves enough not to define themselves by their relationship to a boy. And I don’t want them to find their identity in their beauty.

Miranda Lambert addresses all these issues and more on her new album, Platinum. She subverts the daddy-daughter song in “Girls” with a chorus of “If you think you’re the only one she’ll want in this world / Then you don’t know nothin’ ‘bout girls”. In “Bathroom Sink” and “Gravity Is a B***h”, Lambert deftly explains that she won’t let what she sees in the mirror become how she defines herself, while extolling the virtues of both her personality and her beauty on “Platinum”. Instead of the crazy ex-girlfriend anthems that have become so popular in country music (and which she’s already mastered), she kisses off boys that ain’t worth her time in “Two Rings Shy” and “Little Red Wagon”. And the only time she explicitly mentions her marriage to Blake Shelton is in a song about her own similarities to a different woman, Priscilla Presley. The lyrics end up hardly being about Shelton at all.

This is an album by a woman about being a woman, regardless of any men. Platinum is all the more impressive when you consider what a boys’ world country music is. Since 2000, over twice as many men in country music have had Number 1 albums on the Billboard 200 than women. Subjectively, it’s hard for me to think of who the women on that list would be aside from Lambert, Carrie Underwood, and Taylor Swift, whereas I could think of 7 of the men off the top of my head. It’s even worse in pop music; there may be a lot of female artists in the Top 40, but name one female producer making hits right now.

The worst part about this is the lack of role models for young girls to look up to. Just like there aren’t enough black women starring in movies to inspire young black girls, there aren’t enough women (white or black) making waves in the music world for young girls to respect, and the few that are tend to be presented through the male gaze. If I want my female students to take ownership of their lives and have confidence, Miranda Lambert’s Platinum is a great place to start. Too bad they don’t listen to country music.